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Showing all artists born in April 26

  Pandi
Black Pandi (birthname Lingeswaran) is a comedy actor from Tamil Nadu, India who has acted in Tamil films and T. V. Shows. 

He acted in minor roles in a few films before being cast as "Pandi" in the Vijay TV show Kana Kaanum Kaalangal. Since then he has appeared in the second season of the show and also in the reality dance show Jodi Number One. 

In 2010, he starred in his first major film role as Marimuthu in Vasanthabalan's Angaadi Theru.

Black Pandi (birthname Lingeswaran) is a comedy actor from Tamil Nadu, India who has acted in Tamil films and T. V. Shows. 

He acted in minor roles in a few films before being cast as "Pandi" in the Vijay TV show Kana Kaanum Kaalangal. Since then he has appeared in the second season of the show and also in the reality dance show Jodi Number One. 

In 2010, he starred in his first major film role as Marimuthu in Vasanthabalan's Angaadi Theru.

 
  Samuthirakani

P. Samuthirakani is a Tamil film actor and director.He worked as an assistant to director K. Balachander. His 2009 directorial Naadodigal was a runaway hit, which was later remade in three languages. He has acted in several films as well and is best known for his performances in Subramaniapuram, Easan , both directed by M. Sasikumar and Saattai.

Samuthirakani entered cinema with dreams of making it as an actor. “People said I don't have the looks or the physique for it. I was unfazed. ‘Insults are a part of life,' I told myself and persevered. So when did he finally get a chance to don the greasepaint? “Pandiarajan's Padikkira Vayasu in which I had just a line to say! And to squeeze myself into the scene I had to cringe and crawl before the assistant director!&...  See full bio

P. Samuthirakani is a Tamil film actor and director.He worked as an assistant to director K. Balachander. His 2009 directorial Naadodigal was a runaway hit, which was later remade in three languages. He has acted in several films as well and is best known for his performances in Subramaniapuram, Easan , both directed by M. Sasikumar and Saattai.

Samuthirakani entered cinema with dreams of making it as an actor. “People said I don't have the looks or the physique for it. I was unfazed. ‘Insults are a part of life,' I told myself and persevered. So when did he finally get a chance to don the greasepaint? “Pandiarajan's Padikkira Vayasu in which I had just a line to say! And to squeeze myself into the scene I had to cringe and crawl before the assistant director!” Not a tinge of self-pity! “Why at all? Slights can't hold me back.”

In 1997, he joined as an assistant director under K.Vijayan. Samuthirakani who always used to keep himself busy with work was noticed by Iyakkunar Sigaram K.Balachander and was roped in as assistant director for his 100th movie Parthaale Paravasam. He also got the chance to work as Balachander’s assistant in mega serial Anni telecasted by Jaya TV. The director recalls that the work experience he gained under his mentor Balachander helped him in many ways while shooting Arasi and Selvi, the mega serial telecasted in Sun TV, which were massive hits among house wives.

And that's when he started writing out scenes and dialogue which he would enact within the confines of his room. Soon it led to the discovery that inside him was a capable storyteller.

Subramaniapuram showcased Samuthirakani as an actor with potential and Nadodigal helped him prove his mettle as a director. From maker of megas to director of films that began with Unnai Charan Adaindhain, Kani has always been busy, primarily because he's absolutely egoless. The lukewarm response to his debut film and the disaster of his second —Neranja Manasu with Vijayakanth as hero — didn't deter him. “If the film is a hit everyone vies for the laurels. And if the result is negative, it's the director who has to bear the onus,” he shrugs. He went back to television, joined his mentor K. Balachander's unit, worked as an assistant of Ameer for Paruthiveeran and kept himself as busy as ever. “I continued working till better things came my way.” And the best did happen — Sasikumar gave him that solid role in Subramaniapuram, followed it up with another in Easan, played hero under Sasikumar's direction, and is back with him for Porali.

 
  Samuthirakani
P. Samuthirakani is a Tamil film actor and director. He worked as an assistant to director K. Balachander.His 2009 directorial Naadodigal was a runaway hit, which was later remade in three languages. He has acted in several films as well and is best known for his performances in Subramaniapuram, Easan , both directed by M. Sasikumar and Saattai.


Samuthirakani entered cinema with dreams of making it as an actor. “People said I don't have the looks or the physique for it. I was unfazed. ‘Insults are a part of life,' I told myself and persevered. So when did he finally get a chance to don the greasepaint? “Pandiarajan's Padikkira Vayasu in which I had just a line to say! And to squeeze myself into the scene I had to cringe and crawl before the assistant director!” Not a tinge of self-pity! “Why at all? Slights can't...  See full bio

P. Samuthirakani is a Tamil film actor and director. He worked as an assistant to director K. Balachander.His 2009 directorial Naadodigal was a runaway hit, which was later remade in three languages. He has acted in several films as well and is best known for his performances in Subramaniapuram, Easan , both directed by M. Sasikumar and Saattai.


Samuthirakani entered cinema with dreams of making it as an actor. “People said I don't have the looks or the physique for it. I was unfazed. ‘Insults are a part of life,' I told myself and persevered. So when did he finally get a chance to don the greasepaint? “Pandiarajan's Padikkira Vayasu in which I had just a line to say! And to squeeze myself into the scene I had to cringe and crawl before the assistant director!” Not a tinge of self-pity! “Why at all? Slights can't hold me back.”


In 1997, he joined as an assistant director under K.Vijayan. Samuthirakani who always used to keep himself busy with work was noticed by Iyakkunar Sigaram K.Balachander and was roped in as assistant director for his 100th movie's Parthaale Paravasam. He also got the chance to work as Balachander’s assistant in mega serial Anni telecasted by Jaya TV. The director recalls that the work experience he gained under his mentor Balachander helped him in many ways while shooting Arasi and Selvi, the mega serial telecasted in Sun TV, which were massive hits among house wives.


And that's when he started writing out scenes and dialogue which he would enact within the confines of his room. Soon it led to the discovery that inside him was a capable storyteller.


Subramaniapuram showcased Samuthirakani as an actor with potential and Nadodigal helped him prove his mettle as a director. From maker of megas to director of films that began with Unnai Charan Adaindhain, Kani has always been busy, primarily because he's absolutely egoless. The lukewarm response to his debut film and the disaster ero — didn't deter him. “If the film is a hit everyone vies for the laurels. And if the result is negative, it's the director who has to bear the onus,” he shrugs. He went back to television, joined his mentor K. Balachander's unit, worked as an assistant of Ameer for Paruthiveeran and kept himself as busy as ever. “I continued working till better things came my way.” And the best did happen — Sasikumar gave him that solid role in Subramaniapuram, followed it up with another in Easan, played hero under Sasikumar's direction, and is back with him for Porali.

 
  Saranya Ponvannan
Saranya Ponvannan is an Indian film actress who has predominantly appeared in Tamil language films. Saranya made her debut in a lead role in Mani Ratnam's Nayagan and went on to play lead roles in a few films during the late 1980s. Following an eight-year sabbatical, she returned to feature films as a character artiste, essaying supporting roles, particularly playing mother characters to lead artists. For her performances in films including Raam (2005), Thavamai Thavamirundhu (2005), Em Magan (2006) and Kalavani (2010), she has received notable critical praise and several accolades, including three Filmfare Awards for Best Supporting Actress, while her performance in Thenmerku Paruvakaatru fetched her the National Film Award for Best Actress in 2011. Saranya is the daughter of famous Malayalam film director A. B. Raj.  She is married to a fe...  See full bio

Saranya Ponvannan is an Indian film actress who has predominantly appeared in Tamil language films. Saranya made her debut in a lead role in Mani Ratnam's Nayagan and went on to play lead roles in a few films during the late 1980s. Following an eight-year sabbatical, she returned to feature films as a character artiste, essaying supporting roles, particularly playing mother characters to lead artists. For her performances in films including Raam (2005), Thavamai Thavamirundhu (2005), Em Magan (2006) and Kalavani (2010), she has received notable critical praise and several accolades, including three Filmfare Awards for Best Supporting Actress, while her performance in Thenmerku Paruvakaatru fetched her the National Film Award for Best Actress in 2011. Saranya is the daughter of famous Malayalam film director A. B. Raj.  She is married to a fellow actor, Ponvannan.

Saranya made her debut in Mani Ratnam's Godfatheresque production, Nayagan opposite Kamal Haasan, in which she performed the lead female character. The film, which went on to become a titanic success, became one of the only few films where she had essayed the lead female role.

After marriage in 1995, she settled down to domestic bliss, refusing to take up any film offers. In 2000, however, she was offered the lead role in the comedy television series, Veettukku Veedu Lootty, which she accepted. Subsequently, she decided to accept some good offers, enacting supporting roles. Her close friend is actress Sukanya.

Since then she has appeared in many films in supporting roles most notably Raam, Thavamai Thavamirundhu and Em Magan. Her performance as Veerayi, a widowed mother torn between love and possessiveness, in the 2010 film Thenmerku Paruvakaatru - incidentally her 100th release - ultimately fetched her the National Film Award for Best Actress.

 
 
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