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  Appukutty
Sivabalan (better known as Appukutty) is an Indian actor and comedian, who mainly appears in Tamil films. He became recognized following his performance in Vennila Kabadi Kuzhu. His role as Azhagarsami in Azhagarsamiyin Kudhirai was praised by film critics and fetched him the National Film Award for Best Supporting Actor.

Sivabalan hails from a village Nathan Kinaru in Thoothukudi district, Tamil Nadu. He moved to Chennai in 1994, initially in search of a job for survival only. He was working as a cleaner in hotels, when he was spotted by film personalities and received acting offers from them.  He then began acting in small character roles. In an interview in 2011, he stated that he always wanted to be a comedian and that he had appeared in several minor roles for over 17 years, before gaining recognition in Suseenthiran's Vennil...  See full bio

Sivabalan (better known as Appukutty) is an Indian actor and comedian, who mainly appears in Tamil films. He became recognized following his performance in Vennila Kabadi Kuzhu. His role as Azhagarsami in Azhagarsamiyin Kudhirai was praised by film critics and fetched him the National Film Award for Best Supporting Actor.

Sivabalan hails from a village Nathan Kinaru in Thoothukudi district, Tamil Nadu. He moved to Chennai in 1994, initially in search of a job for survival only. He was working as a cleaner in hotels, when he was spotted by film personalities and received acting offers from them.  He then began acting in small character roles. In an interview in 2011, he stated that he always wanted to be a comedian and that he had appeared in several minor roles for over 17 years, before gaining recognition in Suseenthiran's Vennila Kabadi Kuzhu.  

Suseenthiran went on to cast him in the lead role in his comedy drama film Azhagarsamiyin Kudhirai (2011). For his performance in the film, Appukutty won the National Film Award for Best Supporting Actor, while the film was named the Best Popular Film Providing Wholesome Entertainment of 2011.  In 2011 he also appeared in an important role in the film Kullanari Koottam and played a character role in Mohanlal's 300th film Snehaveedu.  He is currently acting in Mannaru.

 
  Kaali Venkat
Kaali Venkat is a Tamil actor who mainly plays supporting roles in films.


Venkat hails from Kudaiyadevanpatti a village near Kovilpatti. Venkat used to act in dramas during his school days. With an ambition to act in films he moved from his village to Chennai in 1997 to enter the Tamil film industry. In Chennai, he was doing jobs like selling groceries and working in a tea shop in order to survive until he met director Vijay Prabakaran. Prabakaran, who Venkat considers his guru, coached and taught him "everything I know about cinema today".



The first film Venkat acted was also by Vijay Prabhakaran, Thasaiyinai Thee Sudinum. The film failed to release but Venkat decided to keep his character name in it, Kaali, as his screen name after everything on the set was calling him by that name. He then acted in various short films ...  See full bio

Kaali Venkat is a Tamil actor who mainly plays supporting roles in films.


Venkat hails from Kudaiyadevanpatti a village near Kovilpatti. Venkat used to act in dramas during his school days. With an ambition to act in films he moved from his village to Chennai in 1997 to enter the Tamil film industry. In Chennai, he was doing jobs like selling groceries and working in a tea shop in order to survive until he met director Vijay Prabakaran. Prabakaran, who Venkat considers his guru, coached and taught him "everything I know about cinema today".



The first film Venkat acted was also by Vijay Prabhakaran, Thasaiyinai Thee Sudinum. The film failed to release but Venkat decided to keep his character name in it, Kaali, as his screen name after everything on the set was calling him by that name. He then acted in various short films made for the Kalaignar TV show Naalaya Iyakkunar and won the Best Actor in a Series Award in Season 3 of the show. After a series of small roles in various feature films, he first gained attention with his role in the action drama Thadaiyara Thaakka. The short films fetched him small roles in bigger projects like Kalakalappu and Udhayam NH4. He played a substantial role in mystery thriller Thegidi, which went on to become a sleeper hit and Venkat stated that he was flooded with friend requests on Facebook post the film's release.


Venkat has been signed up for a number of films, including Mundaasupatti, Kaathadi, Urumeen, India Pakistan and Eetti. Mundaasupatti, based on the same-titled short film which Venkat was also part of, will see him playing the role of an assistant photographer called Azhagasami.

 
  Hari
Hari was born in Katchanavilai near Nazareth in Tuticorin District, Tamil Nadu, India. His father, Gopal Nadar, is a vessels merchant. Later his family moved to Chennai, where Hari was schooling and had a graduated in Commerce.
He first joined as an assistant to director Senthilnathan. He gained experience working with directors Natraj in Valli, Nassar in Avatharam and Alex Pandian. Later he assisted K. Balachander in his film Kalki and worked as an associate director with Saran in films Amarkalam and Parthen Rasithen.


His first film, in 2002, was Thamizh with Prashanth and Simran. It was a hit at the box-office and revived actor Prashanth's sagging career. Film critic Balaji commented that it was "one of the few movies in recent times where a lot of importance seems to have been attached to the script. In spite of the flims...  See full bio

Hari was born in Katchanavilai near Nazareth in Tuticorin District, Tamil Nadu, India. His father, Gopal Nadar, is a vessels merchant. Later his family moved to Chennai, where Hari was schooling and had a graduated in Commerce.
He first joined as an assistant to director Senthilnathan. He gained experience working with directors Natraj in Valli, Nassar in Avatharam and Alex Pandian. Later he assisted K. Balachander in his film Kalki and worked as an associate director with Saran in films Amarkalam and Parthen Rasithen.


His first film, in 2002, was Thamizh with Prashanth and Simran. It was a hit at the box-office and revived actor Prashanth's sagging career. Film critic Balaji commented that it was "one of the few movies in recent times where a lot of importance seems to have been attached to the script. In spite of the flimsy story and routine screenplay where a youth grows to be a 'dada', the dialogs elevate the quality of the movie and make it very enjoyable"
His second film Saamy under Kavithaalaya banner starring Vikram was the biggest blockbuster of 2003. His next two films Kovil with Silambarasan and Arul with Vikram again were unsuccessful. In 2005, he made Ayya starring Sarathkumar, which introduced Nayantara to Tamil cinema. Ayya was a superhit.


His next film was Aaru with Suriya in 2005 was a moderate hit. In 2007, he directed two films, Thaamirabharani with Vishal Krishna and Vel with Suriya. Both films were successful at box-office. In 2008, he directed Seval with Bharath, which flopped and received negative reviews. Ayyappa Prasad from Nowrunning.com quoted that Hari "panders to the taste of his rural audience all the way, but the movie is bound to disappoint city-dwellers since neither the story nor its treatment appeal to anyone with an IQ quotient higher than the least educated village wastrel".

Known For: Singam 3Darling 2PoojaiSingam IIVenghaiSingamVelThaamirabharaniAaruAyyaArulKovilSaamyThamizh
 
  Subramania Bharati
Chinnaswami Subramania Bharati (11 December 1882–12 September 1921) was an Indian writer, poet and journalist, and Indian independence activist and social reformer from Tamil Nadu. Popularly known as "Mahakavi Bharati", he was a pioneer of modern Tamil poetry and is considered one of the greatest Tamil literary figures of all time. His numerous works were fiery songs kindling patriotism and nationalism during the Indian Independence movement.

Born in Ettayapuram of Tirunelveli district (present day Thoothukudi) in 1882, Bharati had his early education in Tirunelveli and Varanasi and worked as a journalist with many newspapers, notable among them being the Swadesamitran and India. Bharati was also an active member of the Indian National Congress. In 1908, an arrest warrant was issued against Bharati by the government of British In...  See full bio

Chinnaswami Subramania Bharati (11 December 1882–12 September 1921) was an Indian writer, poet and journalist, and Indian independence activist and social reformer from Tamil Nadu. Popularly known as "Mahakavi Bharati", he was a pioneer of modern Tamil poetry and is considered one of the greatest Tamil literary figures of all time. His numerous works were fiery songs kindling patriotism and nationalism during the Indian Independence movement.

Born in Ettayapuram of Tirunelveli district (present day Thoothukudi) in 1882, Bharati had his early education in Tirunelveli and Varanasi and worked as a journalist with many newspapers, notable among them being the Swadesamitran and India. Bharati was also an active member of the Indian National Congress. In 1908, an arrest warrant was issued against Bharati by the government of British India for his revolutionary activities, forcing him to flee to Puducherry, where he lived until 1918.

Bharati's works were on varied themes covering religious, political and social aspects. Songs penned by Bharati are widely used in Tamil films and music concerts.

Early life

Bharati was born to Chinnaswami Subramania Iyer and Lakhsmi Ammal as Subbaiah on 11 December 1882 in the village of Ettayapuram. He was educated at a local high school called The M.D.T. Hindu College in Tirunelveli. From a very young age he learnt music and at eleven, he learnt poetry. It was during this time that he was conferred the title of "Bharati", the one blessed by Saraswati, the goddess of learning. Bharati lost his mother at the age of five and his father at the age of sixteen. He married Chellamma who was seven years old when he was fifteen years old. He was brought up by his father who wanted him to learn English, excel in arithmetic, and become an engineer.  Through his great efforts, he learnt 32 languages (29 Indian languages and 3 foreign languages).

During his stay in Varanasi, Bharati was exposed to Hindu spirituality and nationalism. This broadened his outlook and he learned Sanskrit, Hindi and English. In addition, he changed his outward appearance. He also grew a beard and wore a turban. Though he passed an entrance exam for a job, he returned to Ettayapuram during 1901 and started as the court poet of Raja of Ettayapuram for a couple of years. He was a Tamil teacher from August to November 1904 in Sethupathy High School in Madurai.  During this period, Bharati understood the need to be well-informed of the world outside and took interest in the world of journalism and the print media of the West. Bharati joined as Assistant Editor of the Swadeshamitran, a Tamil daily in 1904. In December 1905, he attended the All India Congress session held in Benaras. On his journey back home, he met Sister Nivedita, Swami Vivekananda's spiritual heir. She inspired Bharati to recognise the privileges of women and the emancipation of women exercised Bharati's mind. He visualised the new woman as an emanation of Shakti, a willing helpmate of man to build a new earth through co-operative endeavour. He considered Nivedita as his Guru and penned a couple of lyrics praising her. He attended the Indian National Congress session in Calcutta under Dadabhai Naoiroji, which demanded Swaraj and boycott of British goods.

By April 1907, he started editing the Tamil weekly India and the English newspaper Bala Bharatham with M.P.T. Acharya. These newspapers were also a means of expressing Bharati's creativity, which began to peak during this period. Bharati started to publish his poems regularly in these editions. From hymns to nationalistic writings, from contemplations on the relationship between God and Man to songs on the Russian and French revolutions, Bharati's subjects were diverse.

Bharati participated in the historic Surat Congress in 1907 along with V.O. Chidambaram Pillai and Mandayam Srinivachariar, which deepened the divisions within the Indian National Congress between the militant wing led by Tilak and Aurobindo and the moderate wing. Bharati supported Tilak and Aurobindo together with V. O. Chidambaram Pillai and Kanchi Varathachariyar. Tilak openly supported armed resistance against the British.

Cover page of the 1909 magazine Vijaya, published first from Madras and then from Pondicherry.In 1908, he gave evidence in the case which had been instituted by the British against V.O. Chidambaram Pillai. In the same year, the proprietor of the journal India was arrested in Madras. Faced with the prospect of arrest, Bharati escaped to Pondicherry which was under French rule.  From there he edited and published the weekly journal India, Vijaya, a Tamil daily, Bala Bharatham, an English monthly, and Suryodayam, a local weekly in Pondicherry. The British tried to suppress Bharati's output by stopping remittances and letters to the papers. Both India and Vijaya were banned in India in 1909.

During his exile, Bharati had the opportunity to meet many other leaders of the revolutionary wing of the Independence movement like Aurobindo, Lajpat Rai and V.V.S. Aiyar, who had also sought asylum under the French. Bharati assisted Aurobindo in the Arya journal and later Karma Yogi in Pondicherry.  This was also the period when he started learning Vedic literature. Three of his greatest works namely, Kuyil Pattu, Panchali Sapatham and Kannan Pattu were composed during 1912. He also translated Vedic hymns, Patanjali's Yoga Sutra and Bhagavat Gita to Tamil.  Bharati entered India near Cuddalore in November 1918 and was promptly arrested. He was imprisoned in the Central prison in Cuddalore in custody for three weeks from 20 November to 14 December and was released after the intervention of Annie Besant and C.P. Ramaswamy Aiyar. He was stricken by poverty during this period, resulting in his ill health. The following year, 1919, Bharati met Mohandas Karamchand Gandhi. He resumed editing Swadesimeitran from 1920 in Madras (modern day Chennai).

Later years and death

He was badly affected by the imprisonments and by 1920, when a General Amnesty Order finally removed restrictions on his movements, Bharati was already struggling. He was struck by an elephant named Lavanya at Parthasarathy temple, Triplicane, Chennai, whom he used to feed regularly. Although he survived the incident, a few months later his health deteriorated and he died on 12 September 1921 early morning around 1 am. Though Bharati was considered a people's poet, a great nationalist, outstanding freedom fighter and social visionary, it was recorded that there were only 14 people to attend his funeral. He delivered his last speech at Karungalpalayam Library in Erode, which was about the topic Man is Immortal.  The last years of his life were spent in a house in Triplicane, Chennai. The house was bought and renovated by the Government of Tamil Nadu in 1993 and named Bharati Illam (Home of Bharati).

Works

Bharati is considered as one of the pioneers of modern Tamil literature.  Bharati used simple words and rhythms, unlike his previous century works in Tamil, which had complex vocabulary. He also employed novel ideas and techniques in his devotional poems.  He used a metre called Nondi Chindu in most of his works, which was earlier used by Gopalakrisnha Bharathiar.

Bharati's poetry expressed a progressive, reformist ideal. His imagery and the vigour of his verse were a forerunner to modern Tamil poetry in different aspects. He was the forerunner of a forceful kind of poetry that combined classical and contemporary elements. He had a prodigious output penning thousands of verses on diverse topics like Indian Nationalism, love songs, children's songs, songs of nature, glory of the Tamil language, and odes to prominent freedom fighters of India like Tilak, Gandhi and Lajpat Rai. He even penned an ode to New Russia and Belgium. His poetry not only includes works on Hindu deities like Shakti, Kali, Vinayagar, Murugan, Sivan, Kannan(Krishna), but also on other religious gods like Allah and Jesus. His insightful similies have been read by millions of Tamil readers. He was well-versed in various languages and translated speeches of Indian National reform leaders like Aurabindo, Bala Gangadar Tilak and Swami Vivekananda.

He describes the dance of Shakthi in the following lines:
Tamilசக்திப் பேய் தான் தலையொடு தலைகள் முட்டிச்சட்டச் சட சட சடவென்றுடைபடு தாளம் கொட்டி அங்கேஎத்திகினிலும் நின்விழி அனல் போய் எட்டித்தானே எரியும் கோலம் கண்டே சாகும் காலம்அன்னை அன்னைஆடுங்கூத்தை நாடச் செய்தாய் என்னை
In Bharathiar's Panchali Sapatham, he compares Panchali (Draupadi) with Bharat Mata, the Pandavass with the Indians, the Kauravas with the British and the Kurukshetra war of Mahabharat to that of the Indian freedom struggle. He visualised Draupadi to India and Indian women, who were held by slavery and social clutches of the society.

Tamil

பட்டினில் உடையும் பஞ்சினில் ஆடையும்பண்ணி மலைகளென வீதி குவிப்போம்கட்டித் திரவியங்கள் கொண்டு வருவார்காசினி வணிகருக்கு அவை கொடுப்போம்

[English Translation]We make Dresses from Silk and CottonIn quantities as large as mountainsThey bring lot of wealthThe traders around the world,to whom we give it(dresses)

He is known to have said, "Even if Indians are divided, they are children of one Mother, where is the need for foreigners to interfere?" In the period 1910–1920, he wrote about a new and free India where there are no castes. He talks of building up India's defense, her ships sailing the high seas, success in manufacturing and universal education. He calls for sharing amongst states with wonderful imagery like the diversion of excess water of the Bengal delta to needy regions and a bridge to Sri Lanka.

Bharati also wanted to abolish starvation. He sang, "Thani manithanakku unavu illayenil e jagaththinai azhithiduvom" translated as " If one single man suffers from starvation, we [Tamilians] will destroy the entire world"

Bharati on feminism

The new age women will learn many intellectual texts. They will set the base for many scientific discoveries that facilitate human life. They will expunge all backward superstitions in the society. They will, all the same, be devoted to God and present all achievements of mankind as a tribute to God. They will earn good name from men.

Bharati is considered the first to have advocated and campaigned for women's participation in politics. He advocated greater rights for women and their education. He visualised a modern Indian woman at the vanguard of society. He was of the strong opinion that the world will prosper in knowledge and intellect if both men and women are deemed equal. He condemned the Shashtras, the procedures formulated by some orthodox Hindus and weren't held as holy by most Hindus, that suppressed women's rights. Most of his views are considered contemporary even in modern times.

Bharati on caste system

Bharati also fought against the caste system in Hindu society. Although born into an orthodox Brahmin family, he gave up his own caste identity. He considered all living beings as equal and to illustrate this he performed the upanayanam for a young Dalit man and made him a Brahmin. He also scorned the divisive tendencies being imparted into the younger generations by their elderly tutors during his time. He openly criticised the preachers for mixing their individual thoughts while teaching the Vedas and the Gita. He strongly advocated bringing the Dalits to the Hindu mainstream.

Tamil"சாதிகள் இல்லையடி பாப்பா!-குலத்தாழ்ச்சி உயர்ச்சி சொல்லல் பாவம்;நீதி உயர்ந்த மதி, கல்வி-அன்புநிறைய உடையவர்கள் மேலோர்."

[English Translation]There is no caste system.It is a sin to divide people on caste basis.The ones who are really of a superior class are the onesexcelling in being just, wise, educated and loving.(Here he expresses the love between human beings,where a man should not see their caste. They should seethem as human beings. Not only human beings, theyshould see them as their brothers and sisters.Which means a well educated person knows to treatthem same and not by their caste.)

Legacy

The Government of India in 1987 instituted a highest National Subramanyam Bharti Award conferred along with Ministry of Human Resource Development, annually confers on writers of outstanding works in Hindi literature.

Bharathiar University, a state university named after the poet, was established in 1982 at Coimbatore.  There is a statue of Bharathiar at Marina Beach and also in the Indian Parliament. A Tamil Movie titled Bharati was made in the year 2000 on the life of the poet by Gnana Rajasekeran, which won National Film Award for Best Feature Film in Tamil.  The movie Kappalottiya Thamizhan chronicles the important struggles of V.O.Chidambaranar along with Subramanya Siva and Bharathiar with S.V. Subbaiah starring as Subramania Bharati.

Many roads are named after him, notable ones including Bharathiar road in Coimbatore and Subramaniam Bharti Marg in New Delhi.  The NGO Sevalaya runs the Mahakavi Bharatiya Higher Secondary School.

In March 2013, SS Music and Ayngaran International noted British singer Adele's song "Skyfall"'s similarities to Bharati's poem Achamillai Achamillai, which contains the lyrics "Uchchi Meedhu Vaan Idindhu Veezhugindra Podhinum, Achcham Illai Achcham Illai Achcham Enbadhillaiye", which loosely translate "Skyfall"'s lyrics, "Let the sky fall, when it crumbles, we will stand tall and face it all together."

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